Posts tagged ‘writing instruction’

May 17, 2013

High school writing instruction should be less creative and more ‘formulaic’

by Grace

Academic writing is formulaic“, according to one SAT tutor who has written a number of books on the topic.  It would seem to follow that creative writing should not be an important focus of high school curriculum.  Students should master the “formula” before they spend too much time on poetry, journaling, or similar exercises in creative writing.

… one of the things I try to get kids away from in terms of their academic writing is the idea that everything they write has to be wildly new and creative. Academic writing is formulaic. It just is. Clarity trumps pretty much everything. You can be creative when you’ve mastered all the rules, but until they, you need to pay attention to what people with more experience do and learn from them. (I think part of the problem is all the hysteria over plagiarism: of COURSE kids shouldn’t be stealing other people’s work, but they also need models! How else are they supposed to learn to write?) When they try to be creative, they write jumbled sentences and the like — it’s just a disaster.

When it comes to writing, most students need to learn the rules before they can break the rules.

Students are not being taught academic writing in high school.

In his “third column on the teaching of writing in colleges and universities“, Stanley Fish addressed a question from readers.

Isn’t the mastery of forms something that should be taught in high school or earlier?

His response, based on years of experience as a college professor:

By all the evidence, high schools and middle schools are not teaching writing skills in an effective way, if they are teaching them at all….

High schools should try something different.

I think K-12 schools would see greater success if they used something like the Kerrigan method of ‘Writing to the Point’, a methodical and efficient approach to writing instruction.  I would love to see a separate composition course in high school, employing a basic method like that of Kerrigan, and involving plenty of practice writing.  I suspect a course like this would work well as an online option.

It worked at New Dorp High School in New York City, where it was found”that returning to fundamentals like explicit grammar instruction and formulaic writing has succeeded in turning around the dismal performance of high poverty students”.

March 15, 2013

One hundred ideas for reforming higher education

by Grace

The National Society of Scholars has compiled One Hundred Great Ideas for Higher Education.

Despite the wide variety of suggestions, the list naturally organizes itself into a few common themes. Some of the themes are frequently mentioned in higher education circles, while others are rather surprising or novel. The most frequently cited category of suggestions called for some sort of renewed emphasis on the study of Western civilization, American history, or the classics of Western thought. Some of the other frequently discussed topics concern improving students’ writing skills, increasing transparency, combating political bias or correctness, and raising standards (including ending grade inflation).

In skimming through the list it’s hard to pick favorites, but here are a few that seem sensible.

This one addresses grade inflation.

REPORT CLASS GRADES
Richard Arum, Professor of Sociology and Education, New York University
Colleges and universities could administratively address the problem of declining academic rigor by instituting a simple change: for every course a student takes, the student’s transcript would report the individual grade received as well as the average grade students received in the course. The transcript would also report the overall grade point average (GPA) of the student as well as the course grade point average (CGPA).

Without impinging in any way on either the ability of individual faculty to grade students as they choose or the freedom of students to select courses as they see fit, this administrative reporting change would make readily apparent whether a student excelled at coursework, or instead excelled at choosing a path through higher education that held students in relative terms to lower academic standards. Incentives for faculty to grade leniently and for students to choose easy coursework—which has led the academy in recent years to a “race to the bottom”—would be significantly reduced.

Examining post-college transitions of recent college graduates, Josipa Roksa and I have found that course transcripts are seldom considered by employers in the hiring process. Transcripts would be significantly more meaningful with this simple and relatively costless administrative reporting change. If colleges and universities did not have the political will to make such changes on their own, access to federal financial aid dollars could be made dependent on institutional compliance. More than one-third of college students today study alone for their classes less than an hour per day and yet are able to achieve a 3.2 GPA. Parents, employers, and students have a right to know how this type of college success is accomplished.

Teach students how to write.

INSTITUTE EXIT EXAM IN WRITING
Lawrence Mead
, Professor of Politics and Public Policy, New York University
The great scandal of American education is that students can complete their schooling without learning to write correct prose. Even at the college level, and at good schools, most students cannot write even a page of text without committing some error of grammar, usage, or spelling. This is apart from content. The reason is that their teachers—from kindergarten all the way through—have little interest in correcting these errors. Either they themselves don’t know how to write, or it’s too much work.

Professors have no personal or professional interest in whether their students write well, so they ignore the problems and pass students along. College writing programs have little impact on the problem. But once on the job students quickly discover that the boss is their coauthor as their teacher was not, demanding that they be able to write letters or reports that he can sign without embarrassment—or be fired.

I recommend instituting a writing exam that undergraduates must pass to graduate from college, with rules for grammar and usage defined in advance. Ask students to respond to some essay question in, say, five pages, without outside help. Allow students some very small number of errors, or fail them. Have a nonprofit body—funded by all colleges and universities—that would operate separately from coursework correct and return the papers to students with errors indicated.

Allows students to take the test any number of times, but make the number of attempts to pass part of their academic record. Publicize these results by school, with the goal that they will eventually be factored into U.S. News & World Report rankings.

There are pros and cons to student evaluations, but they seem to have contributed to lower standards.

ABOLISH STUDENT EVALUATIONS
Jonathan Imber
Jean Glasscock Professor of Sociology, Wellesley College; Editor-in-Chief, Society
Many colleges and universities today use student evaluation questionnaires to evaluate a teacher’s performance. The origin of this seemingly benign tool has much to do with its abuse as a weapon of conformity. The student protesters of the 1960s demanded greater “participation” in the life of the university. Administrators saw an opportunity at appeasement that also translated into a mechanism for oversight, which in the long growth of university administration means the production of ever more information about everyone and everything. Students could be part of the process of “democratically” supporting or opposing such decisions as tenure and promotion.

The result has been granting permission to students to offer anonymously any kind of opinion they want to express, however inane or cruel. Of course, teachers ought to be able to take it, but consider how profoundly the reversal of fortune now is: it was once expected that students ought to be able to “take it,” that is, to respond to tough standards, to hard lessons, to failure, to anything that might contribute to the building of character. Now, the students must be treated carefully, and the teacher has been put into the dock. To improve teaching, abolish student evaluations of teachers.

Hmm . . . I think I like two out of three of these ideas.

CUT UNDERGRADUATE EDUCATION IN HALF; LIMIT THE CURRICULUM; INSTITUTE A DRESS CODE
Tom Wolfe
, Ph.D., American Studies, Yale, 1957; Author, Back to Blood
Three changes would make their college years more valuable to students:

1. Cut undergraduate education from four years to two. Oxford and Cambridge have only three years, and most Oxbridgers consider that one year too many. Four years marinates students in two years of entertaining sloth, creating unwanted habits much more difficult to remove than unwanted hair. Two years will put even the “greatest” universities on par with community colleges, benefiting both. Imagine how many eyes will open up like—swock!—umbrellas when they discover that community college students take the content of courses far more seriously than university undergraduates. Both will graduate with bachelor’s degrees, greatly increasing the value of a community college education.

2. Limit the curriculum, over the two years, to remedial education and core subjects—without ever uttering the words “remedial” and “core.” All students will be forced to take courses in history, rhetoric, algebra or statistics, biology, and sociology. Needless to say, the word “forced” is not to be mentioned, either. Rhetoric will slyly include basic grammar and drills such as parsing sentences—in addition to basic training in prose styles. “Grammar” and “drills” will be taboo terms, too.

3. Male students will have a dress code requiring long-sleeved cotton shirts (ties optional) and conventionally cut jackets—e.g., no jacket collars wider than the lapels—whenever they are on campus. Female students will abide by a dress code that, without saying so, makes it impossible to dress in the currently highly fashionable (among young women) slut style.

If the students complain that these codes make them look different from most other people their age, the reply is, “Now you’re catching on.”

July 19, 2012

The best nouns ‘are concrete rather than abstract’

by Grace

Writing advice from Constance Hale in the New York Times

When we write, though, we want to say as much as we can in as few words as possible, so we find specific nouns (mother, cardiologist, kayaker). Mother is better than female, because it reveals gender as well as personal information. But nouns like soccer mom, mother hen or matron say even more because they also give clues about age and attitude.

The best nouns, then, are concrete rather than abstract, specific rather than general. They are also evocative. To illustrate this, let’s return to boats. Some of the synonyms for boat, like vessel, are so vague they could apply to any means of transportation — or any container, for that matter. Commonplace nouns like boat, ship or sea craft are less abstract. But let’s get precise: how about scow,skiff, yacht and yawl? Brand names like Sunfish, Hobie Cat, Boston Whaler give even more concrete images, while other proper nouns, like the Titanic, the U.S.S. Kentucky and the Hokule‘a allow us to precisely picture an exact boat. Nouns help us paint a scene, understand a character or put a finger on a theme. It’s worth taking the time to get them right.

Hale’s advice is echoed in Step 4 in the Kerrigan method of Writing to the Point.

STEP 4. Make the material in the four or five sentences of Step 3 as specific and concrete as possible. Go into detail. Use examples. Don’t ask, “What will I say next?” Instead, say some more about what you have just said. Your goal is to say a lot about a little, not a little about a lot.  (Chapter 4, page 43)

Here is one example from Kerrigan’s book:

  1. GENERAL:  In her room I noticed two books.
  2. SPECIFIC:  On the small table near Jessica’s plaid easy chair I noticed Heller’s Catch-22 and Galsworthy’s Man of Property. 

This reminds me that I must get back to my Writing to the Point project, which got derailed due to other priorities.

June 27, 2012

Creating a Facebook page is high on list of high school writing lessons

by Grace

Share My Lesson is a new online resource for teachers developed by the American Federation of Teachers and TES Connect.

Share My Lesson is a place where educators can come together to create and share their very best teaching resources. Developed by teachers for teachers, this free platform gives access to high-quality teaching resources and provides an online community where teachers can collaborate with, encourage and inspire each other.

When I recently checked out this new website, I found that among its most popular writing lessons for high school students was one designed to allow ”students to construct a Facebook page for a character from a text or some other context.

Really?  In the context of complaints from college professors and employers about students not learning to write in school, it’s a bit disappointing that the most popular online lesson is one that does almost nothing to teach fundamental writing skills.  Do students really need to be taught better Facebook posting skills?

Granted, this exercise could serve to help students draw out information about a character that they otherwise would have difficulty doing.  It could be lots of fun, actually.  ”Miss Havisham went from being in a relationship to single.”   “Atticus Finch is having another tough day in court.”   Dorian Gray:  “Er. Does anyone know how to un-tag yourself from a picture??”

Part of this lesson’s popularity could be attributed to the fact that it’s shiny and new.  Maybe it’s not the end of the world that high school students are spending time creating Facebook pages for literary characters.  It probably has its place.  I just have this nagging feeling that too many of these types of fun assignments are taking the place of the more traditional ones that teach fundamental literacy skills.

June 18, 2012

A college professor on writing – be succinct, multiple drafts, and more

by Grace

Some “truths” about writing that Rob Jenkins, a veteran composition teacher at Georgia Perimeter College, tells his first-year composition students.

1. “If you think you won’t have to write anymore once you’re done with your English classes, you need to think again. As a junior and senior, you’ll probably have to write term papers for most of your classes. And this is the last time anyone will ever spend an entire semester showing you how to write those papers, so you’d better pay attention.”

2. “If you think you’re going to be done with writing when you get out of college, you need to think again. It doesn’t matter what field you’re going into. The minute you get one step above fry cook, writing becomes part of your job. The higher up the ladder you climb, the more important writing becomes. And there’s an inverse relationship, too: The better you write, the higher you’re likely to rise.”

3. “Writing is not a magical ability that some people just have and others just don’t. Writing is a skill, and like any other skill — playing the piano, learning a sport — it can be acquired through hard work and dedication. We’re not all going to write the Great American Novel, but anyone with at least average intelligence can learn to write reasonably well.”

4. “If there is a secret to good writing, it is this: multiple drafts. Writers are not people for whom a piece of writing always comes out right the first time. They are people who realize that it never will and have learned how to cope.”

5. “Good writing comes from having more to say than you have space in which to say it, so that you’re forced to say it as well as possible. Bad writing comes from taking a few meager ideas and puffing them up to make them sound like more than they really are. College students aren’t the only ones who do this.”

None of these are absolute truths, but they are good general principles for students.  From what I read about the declining standards in higher education, #1 may not be true in many cases.  My favorite is #5, probably because writing succinctly is often such a challenge for me.

As for #4, I suspect most students are like this “Lazy College Senior”.

February 24, 2012

Step 4 of the Kerrigan method of ‘Writing to the Point’ – FIRST DRAFT being CONCRETE

by Grace

I’m still on Step 4 of the Kerrigan method of Writing to the Point, and the latest assignment to write the first draft of an essay continues the focus on being specific and concrete.  (This is part of my project to study and learn the entire Six-Step method, explained in my initial post in this series.)  For a recap, here are Steps 1 through 4.

STEP 1. Write a short, simple declarative sentence that makes one statement. (Chapter 1, page 6)

STEP 2. Write three sentences about the sentence in Step 1—clearly and directly about the whole of that sentence, not just something in it. (Chapter 2, page 18.)

STEP 3. Write four or five sentences about each of the three sentences in Step 2—clearly and directly about the whole of the Step 2 sentence, not just something in it. (Chapter 3, page 31.)

STEP 4. Make the material in the four or five sentences of Step 3 as specific and concrete as possible. Go into detail. Use examples. Don’t ask, “What will I say next?” Instead, say some more about what you have just said. Your goal is to say a lot about a little, not a little about a lot.  (Chapter 4, page 43)


ABSTRACT or GENERAL vs. CONCRETE or SPECIFIC:
To reiterate a point from the previous post, Kerrigan Method sentences X-1-2-3 are usually abstract or general.  In contrast, the sentences in the body of the paragraphs that follow from 1-2-3 must fill in the details by being concrete and specific.  Both types of sentences are vital to good writing.

THE ASSIGNMENT
Write a theme on the following sentence X:  ”A student must have a regular schedule of study.” … be specific and concrete, far beyond what you feel necessary.  Go all out in this respect.  Go into detail .  Give examples.  Don’t feel ridiculous.  You are not expected to produce a “good” theme here, but you can make it a good exercise.

After considerable head scratching, here is what I wrote.


X  A student must have a regular schedule of study..

1.  A student needs a study schedule to maximize academic achievement.
2.  A student needs a study schedule to accommodate his other activities.
3.  A student needs a study schedule to maintain good health.

—————————————————————————————————————————————

X  A student must have a regular schedule of study.

1.  A student needs a study schedule to maximize academic achievement.  Since his first priority is usually his schooling, it is important that a student find ways to improve his academic performance.  One way to do that is to plan and implement a study schedule that will put his school work at the top of his list of things to do.  If getting an A in a chemistry test requires three hours of reviewing notes and practicing problems, then that time must be set aside to take precedence over television, Facebook or daydreaming.  For example, sometimes scheduling 20 minutes a day to review vocabulary words is the only way to get a top grade in Spanish class.

2.  A student needs a study schedule to accommodate his other activities.  While academics are his first priority, a student must also fit in all types of other activities into his routine.  Eating, sleeping, sports, club activities, and simply relaxing are usually all important aspects of a student’s life.  Without a schedule, time is frittered away and a student may end up sleep deprived or being kicked off the track team for missing practices.  All these different activities can be planned so a student will be able to perform competently in school and as well as in other parts of his life.

3.  A student needs a study schedule to maintain good health.  Without a schedule, the elements of a healthy lifestyle will suffer.  If a student neglects to plan ahead for sufficient study time, then he may find himself up late at night cramming for a test when he should be sleeping.  He may find himself eating on the run, which often means fast food and cookies instead of healthier options.  This can lead to poor nutrition, weight gain, or more serious medical conditions.  Making time for adequate studying causes a student to feel well-prepared, while the opposite causes stress.  Sleep deprivation, poor eating habits and high stress can be avoided by a well-planned study schedule.

WHAT I LEARNED
There is always room for more detail.  Even when you think you’ve put in as much as can, you can usually squeeze in some more.  Editing out excessive information can be done later in the process, as I will probably learn in future assignments..
.
… 

Previous posts in this series:

February 10, 2012

Step 1 of the Kerrigan method of ‘Writing to the Point’ – SUBJECT & PREDICATE

by Grace

I’m backtracking to cover some basic elements of  Kerrigan’s Writing to the Point Step 1, omitted in my previous posts. (For new readers, this is my project to study and learn the entire Six-Step method, explained in my initial post in this series.)

Here is Kerrigan’s first step in writing an expository essay:

STEP 1. Write a short, simple declarative sentence that makes one statement. (Chapter 1, page 6)

.

The Step 1 sentence is what Kerrigan calls the X-sentence, and it should have a SUBJECT and a PREDICATE.

First, a review of some basic grammar:

The subject is the person or thing that acts or is described in the sentence. The predicate, on the other hand, is that action or description.

At a basic level, the X-sentence will look like this:

Subject———1———1———1—–Predicate
Somebody or something …………… is something
Somebody or something …………… was something
Somebody or something …………… does something
Somebody or something …………… did something

Examples:
Subject———1———1———1—–Predicate

Oxygen ………………………………………. is essential for life.
George Carlin …………………………….. was funny.
Power …………………………………………. corrupts.
Grandma …………………………………….. taught us valuable lessons.

Subject and predicate – both must be parts of the X-sentence.


The X-sentence is the thesis of the essay.

A subject without a predicate is a topic, but not a thesis. For expository writing you need a thesis, not just a topic.  This is an essential point in the Writing to the Point method.  The supporting details for the thesis flow from the X-sentence, creating the structure that makes the essay concise, clear and to the point.

Here are a few more examples of X-sentences:

X  Autumn is an exhilarating time of year.
X  Hosting a teen party can be nerve-wracking.
X  The Penn State scandal is a tragic event. 


Other characteristics of the X-sentence:

    • Short and simple
    • Declarative sentence – a statement, not a question or a command
    • Should make only one statement

All this is basic stuff, right?  Sometimes kids don’t learn (or remember) basic stuff.  I’m sometimes surprised at what kids are not taught in school.


Previous posts in this series:

January 23, 2012

Step 4 of the Kerrigan method of ‘Writing to the Point’ – FUNCTION OF A PARAGRAPH

by Grace

Although I’ve lost some momentum in getting through my writing project, today I’m going back on track to write about the next segment.  The topic is the all-important “function of the paragraph” as explained in Step 4 of the Kerrigan method of Writing to the Point (For new readers, this is my project to study and learn the entire Six-Step method, explained in my initial post in this series.)  For a recap, here are Steps 1 through 4.

STEP 1. Write a short, simple declarative sentence that makes one statement. (Chapter 1, page 6)

STEP 2. Write three sentences about the sentence in Step 1—clearly and directly about the whole of that sentence, not just something in it. (Chapter 2, page 18.)

STEP 3. Write four or five sentences about each of the three sentences in Step 2—clearly and directly about the whole of the Step 2 sentence, not just something in it. (Chapter 3, page 31.)

STEP 4. Make the material in the four or five sentences of Step 3 as specific and concrete as possible. Go into detail. Use examples. Don’t ask, “What will I say next?” Instead, say some more about what you have just said. Your goal is to say a lot about a little, not a little about a lot.  (Chapter 4, page 43)


F. THE FUNCTION OF A PARAGRAPH:
First, let’s look at the Kerrigan X-1-2-3 sentence structure, and relate it to the more traditional names used by instructors.

Traditional names for X-1-2-3:
–  X is commonly called a thesis sentence, thesis, thesis statement, main idea, or theme sentence
–  1-2-3 are topic sentences

Function of a paragraph:

… a paragraph is a group of sentences whose only function is to provide specific, concrete details for the thought expressed in its topic sentence.

This is very important!  Don’t include extra stuff in your paragraph, even if it sounds good!  I suspect many developing writers break this rule often, resulting in less coherent, wordy, rambling essays that distract and tire the reader while failing to clearly make their point.  [This blogger is guilty as charged!]

I like this passage, having seen young writers struggle this way.

If writing seemed to you, before you began to study this book, a process of putting down one thought, then thinking of another thought and putting it down, then racking your brains to think of still another; then a paragraph, for you, meant an indentation marking some greater break in thought than occurs between sentences. *

By the way, the punctuation (especially the semicolon) in the sentence quoted above intrigues me, but I’ll not explore further for now and just assume it is correct.  This is Kerrigan writing, after all.

Editing is vital
If the paragraph’s function is solely to elaborate and explain more about the topic sentence, than  it is almost inevitable that some editing must occur.  Here’s Kerrigan on the pain of deleting material.

If you plant a vegetable garden, you may have to pull out a flower simply because it does not belong.

Even if it’s a gorgeous bloom that has touched your heart, yank it out if it doesn’t belong.


WHAT I LEARNED
Stick to the topic in your first sentence!

* CORRECTIONS IN RED


Previous posts in this series:

January 1, 2012

Step 4 of the Kerrigan method of ‘Writing to the Point’ – ABSTRACT vs. CONCRETE

by Grace

The distinction between abstract/general and concrete/specific is highlighted in this assignment that is part of Step 4 of the Kerrigan method of Writing to the Point (This is part of my project to study and learn the entire Six-Step method, explained in my initial post in this series.)  For a recap, here are Steps 1 through 4.

STEP 1. Write a short, simple declarative sentence that makes one statement. (Chapter 1, page 6)

STEP 2. Write three sentences about the sentence in Step 1—clearly and directly about the whole of that sentence, not just something in it. (Chapter 2, page 18.)

STEP 3. Write four or five sentences about each of the three sentences in Step 2—clearly and directly about the whole of the Step 2 sentence, not just something in it. (Chapter 3, page 31.)

STEP 4. Make the material in the four or five sentences of Step 3 as specific and concrete as possible. Go into detail. Use examples. Don’t ask, “What will I say next?” Instead, say some more about what you have just said. Your goal is to say a lot about a little, not a little about a lot.  (Chapter 4, page 43)


E. ABSTRACT or GENERAL vs. CONCRETE or SPECIFIC:
By their very nature, sentences X-1-2-3  (Kerrigan Method Steps 1 & 2) are usually abstract or general.  The sentences that follow from 1-2-3 must fill in the details by being concrete and specific.  Both types of sentences are vital in good writing.

… True sophistication in writing requires not just the concrete and specific, nor just the abstract and general, but a skillful combination of the two.  Look at any professional writing you admire, and you’ll see what I mean.


THE ASSIGNMENT
[W]rite two pairs of sentences.  The first sentence of each pair is to be in general, even abstract, terms; the second is to state the same idea in specific, concrete terms.

Example from the book:

  1. GENERAL:  In her room I noticed two books.
  2. SPECIFIC:  On the small table near Jessica’s plaid easy chair I noticed Heller’s Catch-22 and Galsworthy’s Man of Property. 

What I wrote:

  1. GENERAL:  Today is gloomy
  2. SPECIFIC:  Today I was forced to turn on my desk light because gray clouds are blocking any trace of sunlight while the constant drip of chilly raindrops is creating dampness in the air.
  1. GENERAL:  My office is messy.
  2. SPECIFIC:  Piles of books and papers cover most surfaces in my office, a shabby Easter basket filled with old scraps of paper is shoved in one corner, and various wires lay haphazardly around my desk.

WHAT I LEARNED
Expressing the same idea in two distinct sentences, one using general terms and the other using details, made it easy to see the differences and the benefits of adding concrete details.  This would be a good exercise to do occasionally as a check if I’m including enough details in my writing or to remind me of the contrasts between both types of sentences. ..

Previous posts in this series:

December 15, 2011

‘Writing, writing, writing’ – a skill lacking among too many college graduates

by Grace

Jeff Selingo wrote in the Chronicle of Higher Ed about what he learned from employers who are having a difficult time finding qualified employees to hire among recent college graduates.  This was just one problem he found.

Writing, writing, writing. We keep throwing around the word “skills,” but it seems the one skill that almost every job requires is the ability to write well, and too many graduates are lacking in that area. That’s where many of the recruiters were quick to let colleges off the hook, for the most part. Students are supposed to learn to write in elementary and secondary school. They’re not forgetting how to write in college. It’s clear they’re not learning basic grammar, usage, and style in K-12.

Why are students not learning to write before they get to college?  Maybe a different type of writing instruction is needed?

Related:  The Kerrigan method of ‘Writing to the Point’

(Cross-posted at Kitchen Table Math)

Follow

Get every new post delivered to your Inbox.

Join 84 other followers

%d bloggers like this: